Where did the expression Sturm und Drang come from?

Where did the expression Sturm und Drang come from?

Sturm und Drang comes from German, where it literally means “storm and stress.” Although it’s now a generic synonym of “turmoil,” the term was originally used in English to identify a late 18th-century German literary movement whose works were filled with rousing action and high emotionalism, and often dealt with an …

Who created Sturm Drang?

Haydn. A Sturm und Drang period is often attributed to the works of the Austrian composer Joseph Haydn from the late 1760s to early 1770s.

Who wrote Sturm and Drang?

The Sturm und Drang literary movement took its name from a 1776 play by Maximilian Klinger set against the background of the American Revolution. By then Haydn’s turbulent Sturm und Drang phase was already over.

Is Sturm a German name?

Sturm is a German surname.

What was Goethe’s Sturm und Drang?

Sturm und Drang was intimately associated with the young Goethe. While a student at Strasbourg, he made the acquaintance of Johann Gottfried von Herder, a former pupil of Hamann, who interested him in Gothic architecture, German folk songs, and Shakespeare.

When did Herder write Sturm und Drang?

In 1773 he published a play based upon the 16th-century German knight, Götz von Berlichingen, and collaborated with Herder and others on the pamphlet “Von deutscher Art und Kunst,” which was a kind of manifesto for the Sturm und Drang.

Who is Johann Gottfried von Herder?

… (Show more) Johann Gottfried von Herder, (born August 25, 1744, Mohrungen, East Prussia [now Morag, Poland]—died December 18, 1803, Weimar, Saxe-Weimar [Germany]), German critic, theologian, and philosopher, who was the leading figure of the Sturm und Drang literary movement and an innovator in the philosophy of history and culture.

How did Herder contribute to the Sturm and Drang movement?

In April 1771 Herder went to Bückeburg as court preacher. The works that he produced there were fundamental to the Sturm und Drang, a literary movement with Promethean and irrationalist motifs, without which German Classical and Romantic literature could not have arisen.

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